Statement 19

“We have seen that flux of consciousness is a montage proceeding through capturing (recording), grafting (montage), mixing (editing), and post-production (publicity) resulting in the phenomenon of adoption, which gives flux projective unity.” Bernard Stiegler, Technics and Time, Cinematic Time and the Question of Malaise, 3 Translated by Stephen Barker, (Stanford, Stanford University Press, 2001), p. 144