Statement 23

 “My argument is not about signs or not signs, nor about modernism-versus-vernacular. The focus instead should be on the source of the imaginary so that one can point to the theoretically inflected, inferior position that cultural imaginaries have; these can be tactically enlarged and, in essence, injected into the body of architecture.” [Mark Jarzombek, "The Shanghai Expo and the Rise of Pop-Arch," Log 31 (Spring/Summer 2014), pp. 145-160. Pg. 151]